incl. rmxs by hercules & love affair , who made who and cfcf ... jori hulkkonen (turbo, modular, fcomm) has been hailed as >the most underrated producer in the world<, >living legend of electronic composition< and >musics best kept secret<. i am dead is a stunning pop inspired single with vocalist jerry valuri. drifting and cascading analog synths throughout give i am dead both uplifting and dark undertones. timeless and imaginative. one of jori hulkkonens most memorable works.

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

bristling with a thousand tiny moments of precision pop, crystal clear production and a host of euphoric heartfelt melodies, visitor release debut single >los feeling< on june 14st.
>los feeling< - an ode to growing up and growing apart - is a dashing display of zeitgeist melodrama that is as danceable as it is moving. b-side >love< is a more minimal slice of late night dancefloor pop, chugging beneath your feet and tugging at your heartstrings.

james holden may not be a household name, but to fans of adventurous, progressive electronic sounds, the british techno sorcerer and psychedelic shaman is renowned as a genius. so revered are his talents that he has been tapped to remix some of pop music most eminent stars, including madonna, depeche mode, & britney spears, though as this mix demonstrates, his tastes tend more to the cerebral than those associations suggest. head of the zeitgeist-defining label border community which boasts fellow forward thinkers nathan fake & extrawelt on its roster, holden can count himself amongst that very modern breed of dj with a special knack for layering the most surprising of records with an unparalleled musical ear. his status as a free-spirit unconstrained by genre or scene is now championed by independent stalwart !k7, who have called up holden to deliver the next installment in their definitive mix series dj-kicks. holdens masterfully eclectic mix includes the first solo holden single in four years >triangle folds<, and his exclusive previously unreleased remix of mogwais >the sun smells too loud<.

the story of this record includes one day in m(dm)ay, anarchic after-hours, laptops, gurner-djs and the need of pressing something that sounded nice, uplifting, somehow kompakt, pop-trance and just so convincing on a 12-inch. databoy78 thought the same and here we go with a seductive and hypnotizing drama. flip the script for a splendid remix by zurichs super dj lexx (zukunft, sometimes known as kawabata and switzerlands version of dj premier back in the day) who houses tings up and giving away a dope swiss beatz excursion on top of it all. lemonade was a popular drink and it still is.

put your seatbelts on! after hitting toys in slow motion, bot.ox puts it into gear and takes to the autobahn, with uptempo drums, mad synth lines and freaky naive melody at the next left turn. >overdrive< could have been a perfect horror movie soundtrack, something like the pop corn theme covered by d.a.f.

back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

summer is out the door, and here is first dancefloor hit for coming sunny days. in 1997 airto moreiras hit >celebration suite< was used by bellini for >samba de janeiro<, and sold over 6 millions copies all over the world. in 2010 the new song is >samba all night<, completely remixed in pop / dance style. a 100% dancefloors hit !!!

boris dlugosch e michi lange are back with 2010 remixes. first edition was on rise records ( cat. rise 090 ) with vocals by fiorello ( italian showman / singer ). this time, italian producers the cube guys (roberto intrallazzi & luca provera) , present new edition. azzurro original song is a 1968 italian pop song by adriano celentano.

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

rihannas >rude boy< gets the remix treatment!

foreigner is a science-fiction album chock full of trippy pop, which tumbles through unexplored terrain without forgetting to look in the rearview mirror and allowing the listeners enough room to use their own imagination. for fans of can, lcd soundsystem, mgmt, air, daft punk!

full english music are proud to present their debut release. a massive collaboration between soulful pop starlet zarif and drum and bass wizard danny byrd. already a massive hit on the dancefloors, underground dance forums and youtube channels this is an uplifting, hands in the air, surefire winner. this collaboration with d&bs new cross-over darling and hospital records soul-man danny byrd is something new and exciting for zarif, and another testament to both artists broad and eclectic talent and appeal.a record label named after the great british breakfast of choice! dj support from high contrast, tony coleman, kasra, annie mac.

spätestens seit seinem meisterwerk >days to come< mit gastbeiträgen von fink oder bajka ist der mann auch über die grenzen der elektronischen musik ein garant für anspruchsvolle sounds zwischen pop, downbeats, electronic, akustik, soul und funk.

april 26th 2010 marks the release of the debut by london duo gold blood - the twilight language ep, released on human shield. with no official publicity to date, gold blood have already gained praise in high places due to their frenetic, hardcore-influenced electronic art pop, both on record and at their unique, compelling gigs.

britischer indie-rock/pop auf dem deutschen tapete label.

more than most, jason amms work as solvent embodies the original ethos of >synth-pop<: hook-laden music built lovingly out of the buzz and hum of analogue synthesizers. solvents newest full-length on ghostly international - his first in nearly six years - is called subject to shift, and its title reflects the changing tone of amms music.

the mysterious twosome known as silver columns have already built up a cult fanbase with their first two limited edition, white label singles, >browbeaten< and >yes, and dance<, but with >cavalier<, their first >proper< release on the perennially tastemaking label moshi moshi, they are finally ready to go overground and take their rightful place in the pantheon of offbeat electro pop greats.

with safer 001 davis links to details. house music which sounds like the fulfilled promise from 1992. music that has grown up and hasnt suffered any loss of its beauty. vocals which make you want to shout pop and carry a groove in the heart that has never been more challenging.

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

new hit for australian band, 2009 revelation. after the success obtained with >sweet disposition< (2 in music control chart for 2 weeks), here is a new dancefloor hit, with their music contaminations. elektronic.pop...progressive rock sounds! summer hit!

inspired by nu-wave disco, italo disco, pop cliches and 60s glamour magazines: dutch band le le is a unique force. made up of parra, graphic talent par excellence, serge faberge (who used to be in the dutch rap-electro crew djvt) and rimer london (who has been part of the electro duo comtron).
their album le classics is a collection of weird electro funk songs. rough and lofi pop techno and fucked up house.…introducing the new art of >espernatology<: a crazy combination of different languages and fantasy words. the 10-track album will be released next week, meanwhile we are already putting out a limited 5-track album sampler (including special parra poster) on 12 inch vinyl.
dj-support by dj mehdi, headman, erol alkan, munk, telonius and many more!

celebrating 10 years of tigersushi, starting with a double compilation to be released in may : more g.d.m. x. on this ep theres an extract from that compilation, with 4 new exclusive tracks from tigersushis all-stars, from bearded-funky-idm to new-york-new-disco via deep-deep-house and teen-spirit-electro-pop. killer tracks from the likes of principles of geometry, dye, inflagranti featuring freddie mas, and crackboy.

sublime chicago house vibes.

frisch aus dem new yorker underground: die warp band des jahres 2010: das girl/boy-duo the hundred in the hands! eleganter french-pop ala serge gainsbourg/jane birkin treffen auf dub, house & post-punk mit präzisen gitarrenlinien & perkussivem bombast! sie selbst nennen es summertime gothic! der ohrwurm >dressed in dresden< sorgte bereits für einen hype im internet und erscheint mit 3 remixes

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

an dem romantisch-melancholischen pop-entwurf des aus helsinki kommenden synthie-pop-duos villa nah hat bereits der nme gro?en gefallen gefunden. mit >remains of love< erscheint nun ein vorgeschmack auf ihr demn?chst beim s?hk®-sublabel keys of life erscheinendes deb?t-album.

domino is set to release sing, the new single from four tet, on 15th march 2010. sing is taken from four tets much acclaimed fifth album, there is love in you. a side is a nu pop / electro infected monster... floating points with a fresh dubstep interpretation !!!

following his singles the hots and remember for dissident earlier this year, little rock co-head the niallist returns with another vinyl cut designed to devastate dance floors. whilst the hots showcased a smooth electro-pop side, and remember updated classic disco sounds, a.c.i.d. trims away the excess, leaving only a jacking 303 beat, squelchy synths and crisp claps. four to the floor, full horsepower and in your face. can you jack

on of the biggest anthems from synth-pop-disco-era, originally released in 1979. enter the disco-train to moscow!

the third release in the tribute series is an absolutely massive dj weapon, which has been blowing away dance floors all around the world since it was first leaked to a small band of dj friends by its top secret editors. cheekily and seamlessly blending the iconic vocal talents of blondies >heart of glass< with la rouxs >bulletproof< the result, >we love debbie<, is an awesome soundclash of irresistible discoid pop music. cut loud on single-sided heavy weight 180g vinyl, the tribute series is set to inflict some serious dancefloor damage

creative energy of berlin, the duo defines its music as future retro avantgarde electroacoutic funky melancholic harmonical pop but for their first proper vinyl release as a duo, souvenir is giving you even more...

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

slamming 2010 electrohouse remake of this huge londonbeat pop hit

newtonns history started in 1985. in a retrospective, his musical career looks like a frantic puzzle. there were influences of pop, rock and electronic sounds from the early seventies, so in fact, newtonns - better known by his alter ego cut a kaos - reputation and success could be traced back to all these music styles. since 2 years alexander friedlhuemer (so his registered name) has straighten and oriented his label bacteria records towards house and tech-house. the current and most important, new release >the cursor< is remixed by lars eckmann. catchy tech-house tunes with a flawor of real techno influences. as a result, 2010 is newtonns year and his spectacular productions will break all limits!

>be at risk< was created at tracknotic studios located somewhere in the beautiful and magical hills of ibiza. it was recorded and produced by bea tricks and beatmaster g (producer/beatboxer) using state of the art class a equipment and a whole lot of good vibes. wide range of influences can be heard when listening to >be at risk< … such as: electro pop, punk rock, hip hop, old school, 90s techno …

duesseldorfs lorenz rhode makes an alluring cocktail of 80s influenced electro funk, electrohouse and all out pop.

exciting synth disco by roland sebastian faber. mr faber deivers some high quality timeless synth compositions as we heard from him before on this lovely cult label aube records! mr faber produced music for many wellknown pop arists and this is his personal fetish project that gives him the space to go crazy on his analogue synth collection and high end studio gear. comes with beautiful artwork of emi schultz (kraftwerk designer)... this is one of those releases that will not create a big stir among hype press and blogs... but most definitely it will make many people very happy! a great piece of electronic disco, 70s french synth pop. great artwork, limited edition of 300, high quality 180 grams vinyl! future collectors item!

after the release of lindstroems critically acclaimed solo album where you go i go too, in 2008 and 2009s collaborative album with prins thomas, ii, norways maestro of disco returns once again. this time he teams up with sultry vocalist christabelle, to bring us real life is no cool, an edgy pop album of structured chaos and hypnotic beats.

we are so proud to welcome the talented producer from chicago, kate simko, known for her great work on spectral. kate send us 2 amazing pieces of music... a-side, >lost in time<, made during a trip in argentina, shows the deep, intense and intimist sides of kate music. dark grooves lead by an amazing atmosfere made of pads, synths and keys... like dop said... they were in love with it, and wanted to remix it badly. on the b-side, the dop remix is a great reinterpretation of the track with a pop feeling, where jaw bring his vocals. another version of the remix, a really and special one will be released in 2010 on eklo. the second track gets in a more housey feeling, but still deep with famous kates rhodes/synthssounds, and a great toms hooks leading the track through her groovy organic and analogue rhythm.

brut! records baby sister label, pop!, sees its second release with popnonames spaces. an eclectic line-up, including joerg burger, freund der familie and paid for fame, remix the original three times over to offer a varied perspective of the same brave track. revving its engine, spaces drives you to experience things. it invites you to crack yourself open so that through that voluntary rift some new future might pour. bold, beautiful and formless it emerges, washed in a golden light. a baby nebula, perhaps if you are lucky, cradled in the spiral arms of a distant galaxy patiently building mass as it clumps gas and dust together. the important things often creep up silently…recognized only once they are there, even though you had given them no shape in your mind prior to their arrival. space gives possibility to what these forms might be, boundless in four-dimensions. its that expanding medium that allows imagination to roam without end…where the need to distinguish between what you know and invented evaporates and flows pure and clear as an ice cold stream.

welcome to pop electronique, courtesy of ninca leece. having, in recent years, played clubs and festivals all over the world, writing soundtracks or collaborating with fellow musicians, the french vocalist, who now lives in berlin, has finally got around to completing her debut solo album, which she has been working on whenever she found a free moment.

nice price deal !!! fantastic music with its mix of minimal club beats, great elements of pop and lyrics somewhere between confidence and skepticism, randnotizen from idiot town is a seminal work encompassing different aspects of urban music and cultural styles. the singer behind school of zuversicht is dj patex who is also known for her performances at the most famous dockside shack, the golden pudel club

fresh 2010 repress !! maybe silent servant (aka john mendez) has been at the coloured sweeties and fizzy pop, as the two tracks for >negative fascinations< are decidedly more upbeat than offerings on his previous three sandwell district releases, or indeed his own historia y violencia label. that s not to say that they are exactly cheery though - the string-like drones of >discipline< will doubtless send a shiver up the spine of many a raver - but >demonstration< certainly ups the tempo by a notch or two compared to the much deeper flavours that we have become accustomed to. an accomplished enhancement of his production, whilst remaining true to his trademark textured sound...

its been three years since uffie took the underground by storm with her killer electro crunk anthems hot chick, ready to uff and pop the glock. 17 million my space plays later, the 22 year old star of parisian club culture is ready to release her new single mcs can kiss. produced by mr oizo, its an old school soundclash of heavy beats and sharp rhymes, a pass the dutchie for the modern era. remixes come from some new kids on the block, zombie disco squad and starkey. zombie disco squad have delivered the perfect big room remix, while starkey has given it a dirty philly street feel with his dubstep rework.

hailing from israel but now based in berlin, ofrin fastly gained more and more fame over the last few years, especially in germany. they preset a unique sound of avantgarde pop that easily combines with nostalgia and modernism, fuelled by the beautiful voice of singer ofri brin and her perfect musical match: composer kd. the how come track was featured on their most recent (2008) album titled on shore remain. we are very proud to present a fine pack of electronic music remixes, done by daso, phonique, tigerskin and tundra, and we even added two edits for radio usage

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.